This is the blog page only from BACK STAGE INDIE REPORT magazine. The full site can be seen at backstageindiereport.org. Free subscriptions and musician resources. Music News Magazine thast features Artists, Product Reviews, Recording and Performance Techniques, Artist Resources, and Industry News.
Get link
Facebook
Twitter
Pinterest
Email
Other Apps
THE GUITAR DOCTOR – MIAMI VINTAGE GUITARS – MEET EDDIE & FRANK
Good Ideas?
As usual, I had found myself neck-deep in another fun project. Three months have passed I’m asking myself why did I think this would be a good idea or for that matter “fun”? Whenever I get excited about something I always think “I can do that!” eventually coming upon the cold reality that there is a reason everyone does not do technical things themselves on a whim. None-the-less, I ventured into making my own bass guitar. Not like the selecting and shaping wood version of “making” but the order all the parts I like on eBay, paint them up and slap-um together kind of “making”. What could go wrong? I bought a raw wood Fender(ish) Jazz Bass body and decided I would seal it, do some funky abstract art on it with acrylic paint and then put a thick luscious lacquer acrylic finish on it so shiny I could use it as a mirror over the studio bathroom sink (if I so chose to put in there). Well… three weeks later I had the bass body finished. It was sure colorful! Artistic? Eye of the beholder more or less or less than that. Mirror finish? More like the bumpy face of a 15-year-old. When all the parts had arrived, I came to my next cruel realization. I have no idea how to properly fit these randomly purchased parts together or how to properly set this instrument up to sound like… well… an instrument! No worries, that’s why God invented Google. I searched to find a place where a real luthier / guitar tech might hide out. You know the type, permanently covered in saw dust and smelling like freshly soldered wires. The kind that is pissed off that they have to wear shoes to work but are a walking reference manuals for every guitar ever made and yearning to do anything that was remotely challenging and creative. “This one looks promising” I thought when the google search came up. “Miami Vintage Guitars” it said. Well, if they can deal with vintage guitars (and make money at it) someone there must know how to tinker at high levels. I sent an email to their general email address on the website. Explained what I needed, and later that day received a replay;
Dana
We are capable of performing the assembly
Please bring the parts so I can look at them And give you a price and time
Regards
Eddie
OK… Cool!
Meeting Frank & Eddie
Miami Vintage Guitars is located in sunny Miami FL, and convenient to MIA international airport. We are dedicated to providing high quality vintage, collectible, and custom guitars, bass guitars, boutique and production amplifiers, effects, and accessories. Whether you are just starting out with your first vintage piece, a seasoned collector looking to expand your existing collection, or a performer looking for the perfect stage guitar.
MEET TYRGOD – CEO & CREATIVE FORCE OF THE LEAGUE. ATLANTA BASED URBAN MUSIC COLLECTIVE! “- 21 yrs old TyrGod of The League , based in Atlanta Ga, born 8/24/96 young Kobe of the rap game . Bringing Real Hiphop , rap to your speakers. Ceo of The league, A collective of amazing artist” – TyrGod What is your story? “As a kid my sister would rap, write rhymes she used to record them on the radio with the tape, I remember her writing verses for me too. Growing older I always loved music, 50 cent and snoop dog and Kanye West. but I didn’t persue it fully until I got older and saw how the game changed , I loved how big Sean , wiz Khalifa , Kendrick, j cole Nipsey Hussle , and asap rocky changed the game I feel like amixture of all of them being how I’m so versitle but share a deep connection with each of their music At different times in my life. I started The League back in 2013 with my friend Atl Terminus, every since then ive been perfecting my craft and my brand. With so m
A LOOK AT ANTELOPE AUDIO’S ORION 32+ BY 4X LATIN GRAMMY WINNING PRODUCER “ECHO” ” …with the Antelope Orion 32+ AD/DA Converter, I can have nothing in-between the music and beautiful, authentic sonic clarity.” – Echo see bio below Having just moved to a new home this year, my thoughts immediately turned to the construction of my home project studio. I have used every major Miami studio facility, as well as national and international state-of-the-art facilities for producing artists. This including Mor Play Studios in the famous Wynwood arts district area of Miami where I am a partner. At Mor Play Studios we use the Antelope Audio’s Orion as the I/0 for the SSL XL desk. Now, with my youngest daughter tuning five, I wanted to work from home when I could. However, I needed to keep the projects at that high level of the major recording studios that my artists and the labels demand. Having a structure on my property that was ideal for this build, I retained some top stud
SOMETHING DIFFERENT… THE FOCAL SHAPE 65 STUDIO REFERENCE MONITOR REVIEW! In a world brimming with studio reference monitor companies, it can be difficult to separate true innovation from marketing gimmicks without really digging in deep. Digging deep is what we at Back Stage Indie Report wanted to do because the Shape 65 by Focal has a plethora of new and different approaches to the audio loud speaker. It all started when I asked several producers and engineers that I know through Back Stage Indie Report, what studio monitors I should look at for our studios? Though our 15-year-old Mackie 824’s had served us well, it was time to upgrade to newer technologies. I was surprised and heartened by how many responses came back with the same brand, “Focal”. Ok… sooo there was a bit of consensus. But, was this just the latest hype product? You know how these things take off with the force of zeitgeist alone. …Fast forward 3 months.. . I was at the AES show in New York
Comments
Post a Comment